With the exhibition Kris Haagen I wanted to expose the homely as much as possibly: I paid a man from Israel with sex and closness to make a website named the androgynous name Kris Haagen. Alongside living in an apartment, I emptied it; removed doors, panels, walls, waterinstallations and the kitchen. I slept on the floors and sanded the floors simultaneously and exhibited the intervention to the public with the title Kris Haagen.
I arrived at the exhibition carrying a transparent object. I hang the object on the wall, took of my shirt, and cut with a scalpel a cirkel on my back, while reciting the sentence: «The line of the circle is collected organized dots; between some dots there is space; others have united make a form that is separated from, and appears behind the line.»
The structure which is incorporated into, and exits in the material is not a structure that you construct. It is a structure that already exits in the material. The structure in the material is the same as the structure which is incorporated into, and exits unconditional in the human being.
Through the sculpture my body is surrendered to the structure in the material. The structure in the material is able to see, and confirm the structure in the human being, and is able to see, and confirm the human being. I perceive the material as a partner, and as a witness.
What separates the material and the human being from each other is the consciousness. The consciousness is separated from, and exhibited through the sculpture because it does not belong to the material. Through the sculpture I pull the material out to the possible outermost in order to be both seen, and confirmed, and in the same time not having to sacrifice my consciousness that defines me as a human being.